Intermediality and spectatorship in the theatre work of Robert Lepage : the solo shows / by Aristita I. Albacan.

Author
Albacan, Aristita I. [Browse]
Format
Book
Language
English
Published/​Created
Newcastle upon Tyne : Cambridge Scholars Publishing, 2016.
Description
vi, 334 pages : illustrations ; 22 cm

Availability

Copies in the Library

Location Call Number Status Location Service Notes
Firestone Library - Stacks PN2308.L46 A75 2016 Browse related items Request

    Details

    Subject(s)
    Bibliographic references
    Includes bibliographical references (pages 320-334).
    Contents
    Introduction; Short Outline of International Research; The Concept of Distance in Theatre; The Remediation of Theatre; Hypothesis and Integration of Research; Chapter One; 1.1. Robert Lepage and the Québécois Context; 1.1.1. The Québécois Theatrical Context and its Development; 1.1.2. Robert Lepage's Formation; 1.1.3. The Emancipation of Québécois Theatre; 1.1.4. Théâtre Repère and the Repère/RSVP Cycles; 1.1.5. Ex Machina and its Relationship with the Québécois Identity; 1.2. Lepage's Method of Creation; Chapter Two5058 2.1. The Concept of Intermediality2.2. Intermediality and Theatre as a Medium; 2.3. Intermediality and Spectatorship in Contemporary Performance; 2.4. The Intermediality in Robert Lepage's Original Theatre Work; Chapter Three; 3.1. Audience and Spectatorship in Theatre Studies; 3.2. Spectatorship in Media Studies; 3.3. Spectatorship in Robert Lepage's Theatre Work; Chapter Four; Vinci; Needles and Opium; Elsinore; The Far Side of the Moon; The Andersen Project; Conclusion; Conclusion.
    ISBN
    • 144389785X ((hardcover))
    • 9781443897853 ((hardcover))
    OCLC
    959583378
    Statement on language in description
    Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...
    Other views
    Staff view