Byproducts ; Matters / Julian Irlinger.

Artist
Irlinger, Julian [Browse]
Uniform title
Format
Book
Language
English
Εdition
First edition.
Published/​Created
  • Leipzig : Spector Books, [2016]
  • ©2016
Description
2 volumes (354; 48 unnumbered pages) : color illustrations ; 28-35 cm

Availability

Copies in the Library

Location Call Number Status Location Service Notes
Marquand Library - Remote Storage (ReCAP): Marquand Library Use OnlyN6888.I75 A4 2016q Oversize Browse related items Request
  • Location has
  • 1-2 (published in 2016)

    Details

    Subject(s)
    Library of Congress genre(s)
    Getty AAT genre
    Summary note
    The digitalization of museums is a global process that is changing our perception of these institutions. Museums, which used to guarantee that their exhibits could be appreciated in isolation, have now become accessible online 24/7. In Byproducts and Matters Julian Irlinger works with the images that are produced via this process. Taking advantage of virtual museum tours, he uses screenshots to record snippets of the interior spaces, showing zoomed-in details of high-resolution art reproductions. The incidental becomes the image motif. The pictures display pixelated works of art, cleaning utensils that have been set aside, or the reflections of studio lights on the painting's varnish. The artist's books Byproducts and Matters are published as a double volume, creating their own spaces for the contexts and narratives associated with viewing art today. The publication is funded by the Kunstfonds Bonn. Publisher.
    Notes
    • "... screenshots taken from the Google Art Project, collected in April 2014."--Byproducts.
    • "... screenshots taken from the Google Art Project, collected in January 2015."--Matters.
    Contents
    • [v. 1] Byproducts
    • [v. 2] Matters.
    Other title(s)
    Matters
    ISBN
    • 9783959051064 ((set))
    • 3959051069 ((set))
    OCLC
    957243819
    Statement on language in description
    Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...
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    Supplementary Information