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The art of philosophy : visual thinking in Europe from the late Renaissance to the early Enlightenment / Susanna Berger.
Author
Berger, Susanna, 1984-
[Browse]
Format
Book
Language
English
Published/Created
Princeton : Princeton University Press, [2017]
Description
1 online resource
Availability
Available Online
JSTOR DDA
De Gruyter Princeton University Press Complete eBook-Package 2017
University Press Scholarship Online Princeton Scholarship Online
Details
Subject(s)
Art and philosophy
—
Europe
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Aesthetics, Modern
—
17th century
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Aesthetics, Modern
—
18th century
[Browse]
Visual communication in art
—
Europe
—
History
[Browse]
Art, Renaissance
[Browse]
Art, Modern
—
18th century
[Browse]
Visual communication in art
—
History
[Browse]
Summary note
Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.
Notes
Description based upon print version of record.
Bibliographic references
Includes bibliographical references and index.
Contents
Apin's cabinet of printed curiosities
Thinking through plural images of logic
The visible order of student lecture notebooks
Visual thinking in logic notebooks and Alba amicorum
The generation of art as the generation of philosophy.
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ISBN
9781400885121 ((electronic bk.))
1400885124 ((electronic bk.))
OCLC
974589768
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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The Art of Philosophy : Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment / Susanna Berger.
id
99125195466806421
The art of philosophy : visual thinking in Europe from the late Renaissance to the early Enlightenment / Susanna Berger.
id
99102301473506421