Skip to search
Skip to main content
Catalog
Help
Feedback
Your Account
Library Account
Bookmarks
(
0
)
Search History
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Cite
Send
to
SMS
Email
EndNote
RefWorks
RIS
Printer
Bookmark
Alan Bush, modern music, and the Cold War : the cultural left in Britain and the communist bloc / Joanna Bullivant.
Author
Bullivant, Joanna Louise, 1983-
[Browse]
Format
Book
Language
English
Published/Created
Cambridge, United Kingdom : Cambridge University Press, 2017.
Description
xvii, 270 pages : music ; 26 cm.
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Mendel Music Library - Stacks
ML410.B978 B85 2017
Browse related items
Request
Details
Subject(s)
Music
—
Great Britain
—
20th century
—
History and criticism
[Browse]
Music
—
Political aspects
—
Great Britain
—
History
—
20th century
[Browse]
Communism and music
—
Great Britain
—
History
—
20th century
[Browse]
Bush, Alan 1900-1995
—
Criticism and interpretation
[Browse]
Bush, Alan 1900-1995
—
Political activity
[Browse]
Series
Music since 1900
[More in this series]
Summary note
The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.
Bibliographic references
Includes bibliographical references (pages 252-263) and index.
Contents
Bush as modernist: Material and performance
Bush as activist: The idea of workers' music
Bush as outsider: Music and communism in wartime
Building in the rubble: The winter journey and Lidiče
Bush as Stalinist: The year 1948
Bush and the self: Wat Tyler's Rituals of becoming
Bush and East Germany: Opera, sex, and the communist body
Appendix 1. Developments in CPGB Policy, 1939-41
Appendix 2. Bush, Selected works, 1939-47
Appendix 3. Wat Tyler, Characters and synopsis.
Show 7 more Contents items
ISBN
9781107033368 (hardback : alkaline paper)
1107033365 (hardback : alkaline paper)
9781009158794 ((paperback))
1009158791 ((paperback))
LCCN
2017012142
OCLC
978276036
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Other views
Staff view
Ask a Question
Suggest a Correction
Report Harmful Language
Supplementary Information
Other versions
Alan Bush, modern music, and the Cold War : the cultural left in Britain and the communist bloc / Joanna Bullivant.
id
SCSB-10271383