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Princeton University Library Catalog
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The illustrated slave : empathy, graphic narrative, and the visual culture of the transatlantic abolition movement, 1800-1852 / Martha J. Cutter.
Author
Cutter, Martha J.
[Browse]
Format
Book
Language
English
Published/Created
Athens, Georgia : The University of Georgia Press, [2017]
©2017
Description
1 online resource
Availability
Available Online
JSTOR DDA
Details
Subject(s)
Enslaved persons
—
United States
—
Illustrations
[Browse]
Slavery
—
United States
—
Illustrations
[Browse]
American literature
—
African American authors
—
History and criticism
[Browse]
American literature
—
19th century
—
History and criticism
[Browse]
Slavery in literature
[Browse]
Antislavery movements in literature
[Browse]
Summary note
" ... Analyzes ... works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement"-- Provided by publisher.
Bibliographic references
Includes bibliographical references and index.
Source of description
Description based on online resource; title from PDF title page (EBSCO, viewed August 14, 2017).
Contents
Visualizing slavery and slave torture
Precursors: picturing the story of slavery in broadsides, pamphlets, and early illustrated graphic works about slavery, 1793-1812
"These loathsome pictures shall be published": reconfigurations of the optical regime of transatlantic slavery in Amelia Opie's The black man's lament (1826) and George Bourne's Picture of slavery in the United States of America (1834)
Entering and exiting the sensorium of slave torture: a narrative of the adventures and escape of Moses Roper, from American slavery (1837, 1838) and the visual culture of the slave's body in the transatlantic abolition movement
Structuring a new abolitionist reading of masculinity and femininity: the graphic narrative systems of Lydia Maria Child's Joanna (1838) and Henry Bibb's Narrative of the life and adventures of Henry Bibb, an American slave, written by himself (1849)
After Tom: illustrated books, panoramas, and the staging of the African American enslaved body in Uncle Tom's cabin (1852) and the performance work of Henry Box Brown (1849-1875)
The end of empathy, or slavery revisited via twentieth- and twenty-first-century artworks
Hierarchical and parallel empathy.
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ISBN
9780820351155 ((electronic bk.))
0820351156 ((electronic bk.))
OCLC
1000521551
Other standard number
40027389317
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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The illustrated slave : empathy, graphic narrative, and the visual culture of the transatlantic abolition movement, 1800-1852 / Martha J. Cutter.
id
99103253543506421