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The Oxford handbook of music censorship / edited by Patricia Hall.
Format
Book
Language
English
Published/Created
New York, N.Y. : Oxford University Press, [2018]
©2018
Description
xii, 709 pages ; 26 cm
Availability
Available Online
Oxford Handbooks Online Music
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Mendel Music Library - Stacks
ML3916 .O965 2018
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Details
Subject(s)
Music
—
Censorship
[Browse]
Music
—
Political aspects
[Browse]
Editor
Hall, Patricia (Patricia Ann)
[Browse]
Series
Oxford handbooks
[More in this series]
Summary note
"Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress and control music that has been categorized as unacceptable, immoral, or as the Nazi's termed the music of Jewish and modernist composers, "degenerate," ranges from economic sanctions to forced immigration, imprisonment, and death. Yet in almost all cases composers found methods to counter this suppression and to let their voices be heard, even through the very music they were often forced to compose for the oppressing parties. In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Case studies address a number of instances both well- and lesser-known, including the tumultuous history of Wagner and Israel, rap music in the United States, silencing of women composers, and music in post-revolutionary Iran. Sections are organized by nature of censorship - religious, racial, and sexual - and type of government enforcement - democratic, totalitarian, and transitional. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience."--Publisher's description
Notes
Series from book jacket.
Bibliographic references
Includes bibliographical references and index.
Contents
Introduction / Patricia Hall.
Part I. Censorship and religion. In the quest of Gallican remnants in Gregorian manuscripts : archaisms in the masses for the holy cross in Aquitanian chant books / Luisa Nardini
The English Kyrie / Alejandro Planchart
Government interference as a shaping force in Elizabethan printed music / Jeremy L. Smith
The sounds of indigenous ancestors : music, corporality, and memory in the Jesuit missions of colonial South America / Guillermo Wilde
"We should not sing of heaven and angels" : performing Western sacred music in Soviet Russia, 1917-1964 / Pauline Fairclough
A strident silencing : the ban on Richard Wagner in Israel / Na'ama Sheffi.
Part II. Censorship during the Enlightenment. Harpocrates at work : how the god of silence protected eighteenth-century French iconoclasts / Hedy Law
Sex, politics, and censorship in Mozart's Don Giovanni/Don Juan / Martin Nedbal
The depoliticized drama : Mozart's Figaro and the depths of enlightenment / Laurenz Lütteken
The curious incident of Fidelio and the censors / Robin Wallace.
Part III. Censorship in transitional governments. "Years in prison" : Giuseppe Verdi and censorship in pre-unification Italy / Francesco Izzo
Micronarratives of music and (self- )censorship in Socialist Yugoslavia / Ana Hofman
Popular music as a barometer of political change : evidence from Taiwan / Nancy Guy
Music and censorship in Vietnam since 1954 / Barley Norton.
Part IV. Censorship in totalitarian states. Miguel Ángel Estrella (classical) music for the people, dictatorship, and memory / Carol Hess
A case study of Brazilian popular music and censorship : Ivan Lins's music during dictatorship in Brazil / Thais Lima Nicodemo
Alban Berg's "guilt" by association / Patricia Hall
Slow dissolves, full stops, and interruptions : Terezin, censorship, and the summer of 1944 / Michael Beckerman
Selling Schnittke : late Soviet censorship and the Cold War marketplace / Peter J. Schmelz
Curb that enticing tone : music censorship in the PRC / Hon-Lun Yang.
Part V. Censorship in democracies. Censorship and the politics of reception : the filmic afterlife of Marc Blitzstein's The cradle will rock / David C. Paul
Pete Seeger's project / Dick Flacks
Government censorship and Aaron Copland's Lincoln portrait during the Second Red Scare / Jennifer DeLapp-Birkett
"A day in the life" : The Beatles and the BBC, May 1967 / Gordon Thompson.
Part VI. Censoring race, gender, and sexual orientation. Composing in black and white : code-switching in the songs of Sam Lucas / Sandra Jean Graham
Exploring transitions in popular music : censorship from apartheid to post-apartheid South Africa / Michael Drewett
Rap music and rap audiences revisited : how race matters in the perception of rap music / Travis L. Dixon
Deaths and silences : coding and defiance in music about AIDS / Paul Attinello
Teaching silence in the twenty-first century : where are the missing women composers? / Roxanne Prevost and Kimberly Francis
Veiled voices : music and censorship in post-revolutionary Iran / Ameneh Youssefzadeh.
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Other title(s)
Music censorship
ISBN
9780199733163 ((hardcover : alkaline paper))
0199733163 ((hardcover : alkaline paper))
LCCN
2017034683
OCLC
989051745
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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The Oxford handbook of music censorship / edited by Patricia Hall. [electronic resource]
id
99125266150006421