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Pulsions urbaines, 1962-2017 : l'Amérique latine en mouvement : collection Leticia et Stanislas Poniatowski / commissariat, Alexis Fabry et María Wills ; edition, Olivier Andreotti et Alexis Fabry ; traduction français-anglais, Gregory Dechant.
Format
Book
Language
French
English
Published/Created
Paris : Toluca Éditions, [2017]
Description
525 pages : chiefly illustrations (chiefly color) ; 31 cm
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Marquand Library - Photography
TR650 .P86 2017q Oversize
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Details
Subject(s)
Photography, Artistic
—
20th century
—
Exhibitions
[Browse]
Photography, Artistic
—
21st century
—
Exhibitions
[Browse]
Documentary photography
—
Latin America
—
Exhibitions
[Browse]
Photojournalism
—
Latin America
—
Exhibitions
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Street photography
—
Latin America
—
Exhibitions
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Latin America
—
Pictorial works
—
Exhibitions
[Browse]
Latin America
—
Social conditions
—
Pictorial works
—
Exhibitions
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Latin America
—
Politics and government
—
Pictorial works
—
Exhibitions
[Browse]
Poniatowski, Leticia
—
Photograph collections
—
Exhibitions
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Poniatowski, Stanislas
—
Photograph collections
—
Exhibitions
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Host institution
Espace Van Gogh (Arles, France)
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Curator
Fabry, Alexis
[Browse]
Wills Londoño, María, 1979-
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Editor
Fabry, Alexis
[Browse]
Andreotti, Olivier
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Translator
Dechant, Gregory
[Browse]
Library of Congress genre(s)
Exhibition catalogs
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Illustrated works
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Getty AAT genre
exhibition catalogs
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illustrated books
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Summary note
Les travaux de plus de 125 photographes et artistes, originaires d'Argentine, du Brésil, du Chili, de Colombie, de Cuba, d'Equateur, du Mexique, du Pérou et du Venezuela, expriment les contradictions d'un continent qui dans sa condition hybride, se débat entre le préhispanique, le postcolonial et la société capitaliste qui a implacablement envahi les processus de consolidation des villes. Au fil des chapitres s'enchaînent les imaginaires de la transition urbaine, où ruraux et citadins rêvent la métropole.0"Cris" et "Les damnés" montrent le plus douloureux. "Ouvert la nuit", "I want to be me" et "Couleurs Populaires" expriment l'ethos latino, parfois stéréotypé, de la rumba, du tumulte, des couleurs, et cette capacité festive au coeur de la tragédie. L'architecture, des ruines au béton, raconte l'expansion des villes latino-américaines, sur ses "Murs vivants", dans ses "Géométries urbaines", où se mêlent modernisme, vernaculaire et kitsch.
Notes
On the occasion of an exhibition held at Espace Van Gogh, Arles, July 3 - September 24, 2017, as part of Recontres Internationales de la Photographie.
Bibliographic references
Includes bibliographical references.
Language note
In French, with some text in French and English.
Contents
Ouvert la nuit = Open at night
Murs vivants = Living walls
Identités = Identities
Couleurs populaires = Local colors
Ici et là = Here and there
Cris = Shouts
I want to be me
Géométries urbaines = Urban geometries
Les damnés = The damned
Biografies
English version.
Show 8 more Contents items
Other title(s)
Amérique latine en mouvement, 1962-2017
ISBN
9782952244299 ((hardbound))
2952244294 ((hardbound))
LCCN
2017488618
OCLC
1004456958
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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