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石山寺繪. 第一-四.
Ishiyamadera e [art reproduction] Dai 1-4.
Uniform title
Ishiyamadera engi.
Dai 1--4.
石山寺緣起.
第 1-4.
Format
Visual material
Language
Japanese
Published/Created
Tōkyō : Geijutsu Shiryō Kankōkai, Taishō 11-12 [1922-1923]
東京 : 藝術資料刊行會, 大正 11-12 [1922-1923]
Description
4 art reproduction handscrolls : ill., facsim. ; 35 cm. h.
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Marquand Library - Rare Books
ND1059.6.I84 I84 1922
Browse related items
Reading Room Request
Location has
Scr. 1-scr.4
Details
Subject(s)
Ishiyamadera engi
[Browse]
Scrolls, Japanese
—
Kamakura-Momoyama periods, 1185-1600
[Browse]
Narrative painting, Japanese
—
Kamakura-Momoyama periods, 1185-1600
[Browse]
Ishiyamadera (Ōtsu-shi, Japan)
—
History
—
Pictorial works
[Browse]
Narrative painting
—
Japan
—
Ōtsu-shi
[Browse]
Related name
Takashina, Takakane, active 1309-1330
[Browse]
高階隆兼, active 1309-1330
[Browse]
Gōshu, 1335?-1387?
[Browse]
杲守, 1335?-1387?
[Browse]
Tosa, Mitsunobu, 1434?-1525
[Browse]
土佐光信, 1434?-1525
[Browse]
Sanjōnishi, Sanetaka, 1455-1537
[Browse]
三條西實隆, 1455-1537
[Browse]
Geijutsu Shirȳo Kank̄okai
[Browse]
藝術資料刊行會
[Browse]
Ishiyamadera (Ōtsu-shi, Japan)
[Browse]
石山寺 (Ōtsu-shi, Japan)
[Browse]
Japanese Rare Book Collection (Library of Congress)
[Browse]
Library of Congress genre(s)
Facsimiles
[Browse]
Notes
Title taken from titleslip mounted on scroll. Catalogued from publisher's label mounted at end of scroll, reverse
Reproduces ms. copy of the first 4 scrolls out of 7 (the original completed between 1324 and 1497) from the Ishiyamadera collection.
"原本所藏者石山寺"
References
Ishiyamadera engi-e (Nihon emakimono zenshū ; 22), p. 8, etc., 2nd group (dai 1--3: artist, Takashina Takakane; dai 4: calligrapher, Sanjōnishi Sanetaka, artist Tosa Mitsunobu) p. 45, 2nd group (Ishiyamadera e, dai 1-4 (korotaipu-ban gensun fukusei) by Geijutsu Shirȳo Kank̄okai, Taishō 11-12).
LCCN
2005552391
OCLC
426058226
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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