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Princeton University Library Catalog
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The itinerant languages of photography / Eduardo Cadava, Gabriela Nouzeilles ; with contributions by Joan Fontcuberta, Valeria González, Thomas Keenan, Mauricio Lissovsky, John Mraz.
Format
Book
Language
English
Published/Created
Princeton, New Jersey : Princeton University Art Museum, [2013]
New Haven, CT : Yale University Press, [date of distribution not identified]
©2013
Description
240 pages : illustrations (some color) ; 26 cm
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Firestone Library - Faculty Publications
TR145 .C322 2013
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Firestone Library - Stacks
TR145 .C322 2013
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Marquand Library - Photography
TR145 .C322 2013
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Marquand Library - Photography
TR145 .C322 2013
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Mudd Manuscript Library - Stacks
TR145 .C322 2013
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Details
Subject(s)
Photography, Artistic
—
20th century
—
Exhibitions
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Photography, Artistic
—
21st century
—
Exhibitions
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Photography
—
Latin America
—
History
—
Exhibitions
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Time and photography
—
Exhibitions
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Art and photography
—
Exhibitions
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Host institution
Princeton University. Art Museum
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Library of Congress genre(s)
Exhibition catalogs
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Getty AAT genre
exhibition catalogs
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Related work(s)
Cadava, Eduardo.
Itinerant languages of photography.
[Browse]
Nouzeilles, Gabriela.
Archival paradox.
[Browse]
Fontcuberta, Joan, 1955-
Fury of images.
[Browse]
González, Valeria.
Scene of the crime.
[Browse]
Keenan, Thomas, 1959-
I decided to take a look, again.
[Browse]
Lissovsky, Mauricio.
Photographic itinerancy and its doubles.
[Browse]
Mraz, John.
Itinerant Mexican icons.
[Browse]
Summary note
The Itinerant Languages of Photography examines photography's capacity to circulate across time and space as well as across other media, such as art, literature and cinema. Taking its point of departure from Latin American and Spanish photographic archives, the volume offers an alternative history of photography by focusing on the transnational dimension of technological traffic and image production at a time when photography is at the centre of current debates on the role of representation, authorship and reception in a global contemporary culture. Featuring images that converse across temporal, political and cultural boundaries by artists such as Lola and Manuel Alvarez Bravo, Henri Cartier-Bresson, the book argues that the photographic image comes into being only as a consequence of reproduction, displacement and itinerancy. Exhibition: Princeton University Art Museum, USA (07.09.2013-19.01.2014).
Notes
SAPH purchase supported by the Elise and Wesley Wright, Jr. '51 Marquand Book Fund.
Published on the occasion of the exhibition The itinerant languages of photography, Princeton University Art Museum, September 7, 2013 - January 19, 2014.
Bibliographic references
Includes bibliographical references (pages 230-233) and index.
Contents
Introduction / Eduardo Cadava and Gabriela Nouzeilles
The itinerant languages of photography / Eduardo Cadava
The archival paradox / Gabriela Nouzeilles
Photographic itinerancy and its doubles / Mauricio Lissovsky
Itinerant Mexican icons / John Mraz
The scene of the crime : photography's unconscious / Valeria González
I decided to take a look, again / Thomas Keenan
The fury of images / Joan Fontcuberta.
Show 5 more Contents items
ISBN
9780943012490 ((Princeton University Art Museum))
094301249X ((Princeton University Art Museum))
9780300174366 ((Yale University Press))
0300174365 ((Yale University Press))
LCCN
2013943619
OCLC
844731591
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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