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Picturing migrants : the grapes of wrath and New Deal documentary photography / James R. Swensen.
Author
Swensen, James R.
[Browse]
Format
Book
Language
English
Published/Created
Norman : University of Oklahoma Press, [2015]
Description
xi, 256 pages : illustrations ; 29 cm.
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Firestone Library - Stacks
PS3537.T3234 G893 2015
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Marquand Library - Photography
PS3537.T3234 G893 2015
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Details
Subject(s)
Literature and photography
—
United States
—
History
—
20th century
[Browse]
Documentary photography
—
United States
—
History
—
20th century
[Browse]
Migrant agricultural laborers
—
United States
—
History
[Browse]
Depressions
—
1929
—
United States
[Browse]
Dust Bowl Era, 1931-1939
[Browse]
New Deal, 1933-1939
[Browse]
United States Farm Security Administration
[Browse]
Steinbeck, John 1902-1968
—
Grapes of wrath
[Browse]
Steinbeck, John 1902-1968
—
Sources
[Browse]
Steinbeck, John 1902-1968
—
Influence
[Browse]
Series
Charles M. Russell Center series on art and photography of the American West ; v. 18.
[More in this series]
The Charles M. Russell Center series on art and photography of the American West ; volume 18
Summary note
"As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck's The Grapes of Wrath and the photographs produced for the New Deal's Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck's novel and the FSA's photography--and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA's work to publicize the plight of the migrant in the wake of the novel and John Ford's award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation."--Jacket.
Notes
Series number from dust jacket.
Bibliographic references
Includes bibliographical references (pages 231-244) and index.
Contents
Gathering migrants : Dorothea Lange and Paul S. Taylor
Researching migrants : John Steinbeck
Working for life : John Steinbeck and Horace Bristol
Shooting script : Russell Lee
Finding real Joads : Russell Lee and Elmer Thomas
Hope and despair along the migrant trail : Russell Lee
Displaying grapes and wrath : FSA exhibitions
A straight picture : Darryl Zanuck and Arthur Rothstein
Icons of the Great Depression : looking back on history.
Show 6 more Contents items
ISBN
9780806148274 ((acid-free paper))
0806148276 ((acid-free paper))
LCCN
2015002780
OCLC
908374918
Other standard number
99967930178
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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