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Color codes : modern theories of color in philosophy, painting and architecture, literature, music, and psychology / Charles A. Riley II.
Author
Riley, Charles A., II
[Browse]
Format
Book
Language
English
Published/Created
Hanover : University Press of New England, [1995]
©1995
Description
xi, 351 p., [8] p. of plates : ill. ; 24 cm.
Availability
Available Online
1995 - 1995: EBSCOhost Art & Architecture Source
Available from 1995 until 1995.
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Architecture Library - Stacks
NX650.C676 R56 1994
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Lewis Library - Stacks
NX650.C676 R56 1994
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Marquand Library - Remote Storage: Marquand Use Only
NX650.C676 R56 1994
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Details
Subject(s)
Color in art
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Arts
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Color (Philosophy)
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Color
—
Psychological aspects
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Summary note
Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A.S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.
Bibliographic references
Includes bibliographical references and index.
Contents
Introduction: The palette and the table
Color in Philosophy : Kant ; Goethe ; Hegel ; Wittgenstein ; Jonathan Westphal ; P.M.S. Hacker ; C.L. Hardin ; Spengler ; Adorno ; Barthes ; Derrida
Color in Painting and Architecture : Painting : Monet ; Denis ; Degas ; Whistler ; van Gogh ; Gaugin ; Cézanne ; Robert and Sonia Delaunay ; Morgan Russell and Stanton Macdonald-Wright ; Matisse ; Kandinsky ; Albers ; Hofmann ; Avery ; Rothko ; Louis ; O'Keeffe ; Newman ; Stella ; Lichtenstein ; Halley ; Ryman ; Mark Milloff ; Nancy Haynes ; Jaime Franco ; Charles Clough
Architecture : Le Courbusier ; Graves ; Stirling
Color in Literature : Gide ; Proust ; Joyce ; Trakl ; H.D. ; Stevens ; Hollander ; Pynchon ; A.S. Byatt
Color in Music : Wagner ; Stockhausen ; Schoenberg ; Messiaen ; Slawson
Color in Psychology : Kohler ; Arnheim ; Freud ; Jung ; Contemporary issues in color psychology ; Oliver Sachs.
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Other title(s)
Modern theories of color in philosophy, painting and architecture, literature, music, and psychology
ISBN
0874516714 ((alk. paper))
9780874516715 ((alk. paper))
0874517427
9780874517422
LCCN
94009733
OCLC
30070157
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Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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Color codes: modern theories of color in philosophy, painting and architecture, literature, music, and psychology
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99125188142006421