Skip to search
Skip to main content
Catalog
Help
Feedback
Your Account
Library Account
Bookmarks
(
0
)
Search History
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Cite
Send
to
SMS
Email
EndNote
RefWorks
RIS
Printer
Bookmark
Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki.
Format
Book
Language
English
Εdition
First edition.
Published/Created
London, England : Zed Books, 2012.
[London, England] : Bloomsbury Publishing, 2021
Description
1 online resource (227 pages).
Availability
Available Online
Ebook Central Perpetual, DDA and Subscription Titles
Details
Subject(s)
Motion picture music
[Browse]
Motion picture producers and directors
[Browse]
Sound in motion pictures
[Browse]
Editor
Wierzbicki, James
[Browse]
Series
Routledge music and screen media series.
[More in this series]
Summary note
Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film musi.
Notes
Bibliographic Level Mode of Issuance: Monograph
Bibliographic references
Includes bibliographical references and index.
Source of description
Print version record.
Language note
English
Contents
Cover; Title; Copyright; Dedication; Contents; Series Foreword; Preface; Acknowledgments; Chapter 1 Sonic Style in Cinema; Chapter 2 Music, Sound, and Silence in the Films of Ingmar Bergman; Chapter 3 Andrey Tarkovsky: The Refrain of the Sonic Fingerprint; Chapter 4 "It's All Really Happening": Sonic Shaping in the Films of Wes Anderson; Chapter 5 Kieślowski's Musique concrète; Chapter 6 Gus Van Sant's Soundwalks and Audio-visual Musique concrète; Chapter 7 Blowin' in the Wind: Music and Meaning in the Coen Brothers' Films.
Chapter 8 Sound and Uncertainty in the Horror Films of the Lewton UnitChapter 9 Conducting the Composer: David O
. Selznick and the Hollywood Film Score; Chapter 10 The Stanley Kubrick Experience: Music, Nuclear Bombs, Disorientation, and You; Chapter 11 The Filmmaker's Contract: Controlling Sonic Space in the Films of Peter Greenaway; Chapter 12 The Attractions of Repetition: Tarantino's Sonic Style; Chapter 13 Dream Timbre: Notes on Lynchian Sound Design; Lists of Contributors; Bibliography; Index.
ISBN
1-136-59701-8
1-280-66476-2
9786613641694
0-203-34309-3
1-136-59702-6
OCLC
795123444
798530361
724641133
1264209439
Doi
10.4324/9780203343098
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Other views
Staff view
Ask a Question
Suggest a Correction
Report Harmful Language
Supplementary Information
Other versions
Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki.
id
9971380863506421